Number of painters: 173
Last update: Tuesday Nov 18, 2014
Pieter Wagemans was born in 1948 in Merksem, close to the city of Antwerp, Belgium. From his youth Pieter has always been able to express himself spontaneously through the artistic gift that he probably inherited from his father. Even from his early years it seemed likely that he would develop this gift further. At the age of fifteen he decided to take lessons at the Royal Academy of Fine Arts in Antwerp.
During his training at the Academy Pieter had many opportunities to practice life drawings, mainly still lifes, but also nudes and landscapes, each time under the inspiring leadership of professors such as Jacques Gorus and Victor Dolfyn. Through much hard work, they gave him a good grounding in classical painting skills and taught him to master the techniques of an artist.
In 1969 Pieter obtained the commercially valuable diploma of graphic design, working for various publishers over a number of years. Throughout these years Pieter has continuously refined his painting technique. It was a long journey, searching for the style that best fitted his vision and working methods. His training at the Academy had helped him onto the right path, but there was still a long way to go. In this period Pieter took on a commission to paint a series of large ceiling paintings in the 16th century home of the Antwerp artist David Van Noort. These paintings, in the style of the Old Masters gave Pieter valuable experience in the use of colour, contrast with light and shadow and the importance of composition.
By studying famous still life paintings and the work of flower painters such as David de Heem, Willem Heda and Rachael Ruys, Pieter strengthened his insight into colour harmony and deepened his understanding. Thematically he prefers still life paintings with antique objets d'art. Looking for the symbolic value of a composition he builds a moving story. The 'vanitas' motif is a major source of inspiration. Reflecting on the transitory nature of life, beauty often is incoprorated in the form of a flower composition.